Ben Wheeler - Lurji T'algha
Ultra bliss, we are benefactors of time travelers spanning the distance from future to past to future. The music we hear as current creations has been bestowed and is now instinctive for times to come. Ben Wheeler has tapped into these sonic algorithms. Tomorrows harmonies, yesterdays rhythms and beats, the destiny of man discovering synchronicity within the energy we all hold. The beauty of Lurji T'algha is it's realization of aural directions, reaching the distance to awaiting beauty and pulling gorgeous tones back for listeners to hear now. This is a composition to loose ourselves in, an audible pathway towards the timeless conscious and the tranquility we all seek.
Lurji T'algha contains six pieces spanning close to forty five minutes. The first side holds the title track "Lurji T'algha" and the equally lengthy "Foam". Both of these selections slowly build, developing massive rhythmic root structures. The branches reaching temporal waiting points while the roots supply analog nutrients throughout. Ben Wheeler saturates the aural canvas using plant based dyes to paint undiscovered worlds. A transfixing process for those who listen, tones and notes filled with rich saturating electronic nostalgia. The first track on the second side "Mtsvane T'algha" continues the immersion from the first, connecting to "Lurji T'algha" with mesmerizing affinity. "Bneli T'algha" breaks after "Ripple" focusing on rhythms rather than sustained synthesizer majesty. The last track "Spider Crab" returns with blissful notes using sonic structures from Tusheti, a people from the northeastern region of Georgia.
Thank you Crash Symbols for bringing Ben Wheeler to more ears. Ben's previous release titled Nowhere Patches on his home town label giraffe tapes is super limited and sold out from the source. Lurji T'algha is in an edition of one hundred cassettes with an eight panel fold out of artwork by Giorgi Gelbakhiani and a stunning sticker by Salome Jokhadze. Don't miss out on this release, so beautifully solid.
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