Sea Moss - Bidet Dreaming
Noa Ver & Zach D’Agostino returning with their warbled sonic mite. Aural locksmiths picking their way through the pop tune gate. A task more delicate than Sea Moss has qualifications for. Their forcefulness is like a hand resting on the T-bar of an explosive charging box. Only two positions, pensive anticipation and the full plunge downward. After detonation, sonic dust and tune fragments dissipate, spirited grooves can be clearly heard. This is the special quality of Sea Moss, raw rhythms surfacing under the heavy pressure of ballistic creative energy.
Bidet Dreaming is like a fever, listening to the first three tracks causes thoughts to race and an anxious uneasy feeling. Then you catch it, "Appease the Peas, Please" is a mesmerizing unprocessed gem. Both Noa and Zach showing weighted rhythmic vibes. Like a broken break dancing robot trying to show vintage moves to B-Boys and B-Girls. There is something uniquely special stemming from the roots. Of the eleven tracks on this composition, about half of the total time is spent hammering out barnacle ridden toe tappers. These tracks are perfectly positioned across the album, beat throwbacks holding the storm back. The other half of the time is spent shattering genres with ungoverned chaos. Noa and Zach channeling another language, both speaking in patterns of rippling discharges. Like a stampede of hogs with a caller trying to get them back. This is an amazing menagerie in pleasurable extremes.
Lost is a Sea of Sound described Bread Bored, a long ago sold out Sea Moss album from the two years back. Like Bidet Dreaming, this was also released on Crash Symbols. The newest release was in both cassette and vinyl formats in a total covering six hundred editions. The vinyl is completely gone and only ten cassettes remain. Crash Symbols has a special way of knowing what perks the ears. Bidet Dreaming is a very good example.
Links
Crash Symbols site - bandcamp - facebook
Bidet Dreaming is like a fever, listening to the first three tracks causes thoughts to race and an anxious uneasy feeling. Then you catch it, "Appease the Peas, Please" is a mesmerizing unprocessed gem. Both Noa and Zach showing weighted rhythmic vibes. Like a broken break dancing robot trying to show vintage moves to B-Boys and B-Girls. There is something uniquely special stemming from the roots. Of the eleven tracks on this composition, about half of the total time is spent hammering out barnacle ridden toe tappers. These tracks are perfectly positioned across the album, beat throwbacks holding the storm back. The other half of the time is spent shattering genres with ungoverned chaos. Noa and Zach channeling another language, both speaking in patterns of rippling discharges. Like a stampede of hogs with a caller trying to get them back. This is an amazing menagerie in pleasurable extremes.
Lost is a Sea of Sound described Bread Bored, a long ago sold out Sea Moss album from the two years back. Like Bidet Dreaming, this was also released on Crash Symbols. The newest release was in both cassette and vinyl formats in a total covering six hundred editions. The vinyl is completely gone and only ten cassettes remain. Crash Symbols has a special way of knowing what perks the ears. Bidet Dreaming is a very good example.
Links
Crash Symbols site - bandcamp - facebook
