Cameron, Dockery & Hipólito - Organ
For the farthest reaches, the consciousness must tune itself. Like an analog radio dial, the slightest turn bringing the most distant transmission into clarity. The questions then manifest, are these sounds the ones to hear, should the knob be turned again, maybe there is something better? Listening to music, especially sonic energy filtering in from the fringes, is a similar process. With the massive amount of sounds to hear, what finally takes transparency, is subject to the same aspects of the radio dial. The consciousness has tuned in, talent and creativity begin their osmosis.
Organ defies framework. Heavy ambient pressures mixing in the darkest depths. These are sounds that take time to travel to. A symbiosis of both organic and mechanical, both vying to be heard at select frequencies. Five lengthy tracks exploring many sonic textures. The second offering, "Look at the Clock", emitting sonar visions of a submarine traversing underwater canyons. Massive engines pushing through dense darkness. Smooth transitioning to "Waiting Room", details of unknown visitors scanning the Earth's surface. Slightly disconcerting, a little Eraserheadish, but also the shortest track of the five. The last two tracks pull away from terrestrial tethers. An uplift in spirit to some degree, still introspective, but the tight molecular bonding has loosened. Meditatively eastern world drone, with resonating strings of higher vibrations. A very nice drift away from such a sunken start.
Lisa Cameron, Lee Dockery and Daniel Hipólito are the creative union for Organ. Their backgrounds in music are long and diverse. Descriptions are readable on the bandcamp page, so won't go into it here. This is the first release described for the Austin, Texas label Self Sabotage Records. Much to explore with a diverse array of sounds dating back a couple of years. As with Organ, the label procures sounds from a wealth of experience, many well know artists have sonic fibers woven in. Some of the physical releases are only available on the label's big cartel page, like this release.
Links
Self Sabotage Records site - facebook - bandcamp - twitter
Organ defies framework. Heavy ambient pressures mixing in the darkest depths. These are sounds that take time to travel to. A symbiosis of both organic and mechanical, both vying to be heard at select frequencies. Five lengthy tracks exploring many sonic textures. The second offering, "Look at the Clock", emitting sonar visions of a submarine traversing underwater canyons. Massive engines pushing through dense darkness. Smooth transitioning to "Waiting Room", details of unknown visitors scanning the Earth's surface. Slightly disconcerting, a little Eraserheadish, but also the shortest track of the five. The last two tracks pull away from terrestrial tethers. An uplift in spirit to some degree, still introspective, but the tight molecular bonding has loosened. Meditatively eastern world drone, with resonating strings of higher vibrations. A very nice drift away from such a sunken start.
Lisa Cameron, Lee Dockery and Daniel Hipólito are the creative union for Organ. Their backgrounds in music are long and diverse. Descriptions are readable on the bandcamp page, so won't go into it here. This is the first release described for the Austin, Texas label Self Sabotage Records. Much to explore with a diverse array of sounds dating back a couple of years. As with Organ, the label procures sounds from a wealth of experience, many well know artists have sonic fibers woven in. Some of the physical releases are only available on the label's big cartel page, like this release.
Links
Self Sabotage Records site - facebook - bandcamp - twitter
