The Electric Nature - Old World Die Must
Primordial sonic sludge welling up within the conscious. Droning DNA progressively acquiring details along the strand. This night has become muddled cacophony, but the blurred mayhem falls under one single celestial revolution. We engulf this disturbance, a force of energy in the form of pressurized sounds. From hors-d'œuvre to apéritif The Electric Nature creates an aural anomaly fixed like a multi course dinner celebration. Heavy vibes from this sonic stew spilling across white linen of tranquil thoughts.
A waiting singularity. Sounds gradually thrust into a gravitational nucleus. Old World Die Must is such an appropriate title. A growing sound field augmented by societies shreds. Two side long tracks similar and different simultaneously. The artist line up holds weight, Michael Pierce, Michael Potter, Thom Strickland making the bones of sound throughout. Adding flavor are guests Jeff Tobias/saxophone on the first side and John Kiran Fernandes/clarinet & violin on the second. The first side titled Enter Chapel Perilous builds from nature then slowly explodes with frenzied shrapnel. All settling into the placid night of it's origin. Old World Die Must follows a building similar path. The difference being the sonic Cubique d'Agnesi curve from the Enter Chapel Perilous side now rises with a reared head of a Serpentine curve, never dissolving into the primordial origins.
This release is shared on two labels, Feeding Tube Records and \\NULL|ZØNE//. Vinyl editions are currently available in clear or dark blue with black swirls from Feeding Tube Records. The cassette edition used for listening by Lost in a Sea of Sound should be available soon from \\NULL|ZØNE//.
Links
Feeding Tube Records site
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